It is literally 2 A.M. here on the East Coast as I type this and I should be in bed and not updating this Blog, but I continue if only to get to this photograph.
RANT TIME!
There is a simple message that should go with this photograph and it is
STOP!
Stop the editing! Stop telling us your editing! It's like telling those who tracked to Canada to see the viewed the 21 minutes plus Artifact movie that it was just a preview to something greater.
We all know the story! We know this is a unique battle of David and Goliath proportions where somehow 30 Seconds To Mars come out on top not needing to supply the entire amount and yet resign with the same company that screwed them over in the first place. What?
Jared. If you weren't ready with the finished project that lets you say 'this is it' then you shouldn't have tried to rush a sample through just to have it shown at the TIFF (Toronto International Film Festival).
It's like creating a song that was popular and then re releasing it again with a new drum interpretation and more of a club style tune. Oh! That's right you've already done it. Shannon's Remix.
Saying ~ sure the song was great as it was, but how about tweaking it to sound like this ~ and buy the new single as well as watch another version with additions and subtractions of Artifact that weren't seen at the TIFF.
Saying ~ sure the song was great as it was, but how about tweaking it to sound like this ~ and buy the new single as well as watch another version with additions and subtractions of Artifact that weren't seen at the TIFF.
Your mistake wasn't in the fact that you wanted to do it, but in the fact that there was so much material that you never really sorted through to add to this documentary.
You can't change things up and expect people to continue to be happy with every version they they may or may not have seen.
I saw the documentary a year ago via the web and I saw nothing that screams 'REDO'. Jared put a period at the end of this project and move on to the other because no one likes to feel foolish for believing in a project whose producer can't believe it in the first place by stopping.
A-MEN.
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